Next Centre for Transnational Studies seminar: Historiographies of the Present: What is to be Decolonised about Non-Aligned Futures and Imaginations?

TNSThe next Centre for Transnational Studies seminar will be held on Wednesday 21st November from 3-4pm in room 1173 at Avenue Campus (Building 65). The seminar is entitled ‘Historiographies of the Present: What is to be Decolonised about Non-Aligned Futures and Imaginations?’ All staff and students are welcome!

The seminar is entitled Historiographies of the Present: What is to be Decolonised about Non-Aligned Futures and Imaginations? Here is the abstract for the seminar:
Contemporary Eastern Europe is currently, once more, one of the spaces for the rise of far right, fascist agendas, as much as increasingly dominated by the rule of heteronormatively imagined futures. To an extent, the “region” holds a shared socialist history of gender inequality and in places like Romania, long histories of slavery and domination over Roma populations. In this contemporaneity that hardly feels shared, where does a decolonial project need to start from? What kind of “whiteness” are we talking about when talking about Eastern European, former socialist subjects? Why are intersectional issues of race, gender and sexuality historically enmeshed but also often invisible from critical contemporary evaluations of the aesthetics and politics of the “region”? I propose to turn to a specific historicalcontextual moment of the Non-Aligned Movement as a point of departure in this analysis to ask what type of imagination and what forms of futurity were projected from socialist Eastern Europe onto some of the late colonial, soon to be independent countries in Africa.

The seminar will be led by Dr Mihaela Brebenel, Lecturer in Digital Media Culture at the Winchester School of Art, University of Southampton. Mihaela is interested in screen studies, film theory, media archaeology, aesthetic theory, the politics of the audiovisual, feminist practices with moving images, the cultural production of subjectivity in contemporary technologically-mediated contexts, historiographies and critical uses of archival images in academic and artistic practice. She also reflects in her work on gender, performance and interventions exploring the private and public configurations of media, space, memory, and the possibilities of collective work.

We have arranged for the event to finish on time for colleagues who wish to attend the Advanced Research in Arts and Humanities seminar at 4pm, and the event is held in the same building.

Further details, including an abstract, can be found on the poster for the event.

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