Next Centre for Transnational Studies seminar: Historiographies of the Present: What is to be Decolonised about Non-Aligned Futures and Imaginations?

TNSThe next Centre for Transnational Studies seminar will be held on Wednesday 21st November from 3-4pm in room 1173 at Avenue Campus (Building 65). The seminar is entitled ‘Historiographies of the Present: What is to be Decolonised about Non-Aligned Futures and Imaginations?’ All staff and students are welcome!

The seminar is entitled Historiographies of the Present: What is to be Decolonised about Non-Aligned Futures and Imaginations? Here is the abstract for the seminar:
Contemporary Eastern Europe is currently, once more, one of the spaces for the rise of far right, fascist agendas, as much as increasingly dominated by the rule of heteronormatively imagined futures. To an extent, the “region” holds a shared socialist history of gender inequality and in places like Romania, long histories of slavery and domination over Roma populations. In this contemporaneity that hardly feels shared, where does a decolonial project need to start from? What kind of “whiteness” are we talking about when talking about Eastern European, former socialist subjects? Why are intersectional issues of race, gender and sexuality historically enmeshed but also often invisible from critical contemporary evaluations of the aesthetics and politics of the “region”? I propose to turn to a specific historicalcontextual moment of the Non-Aligned Movement as a point of departure in this analysis to ask what type of imagination and what forms of futurity were projected from socialist Eastern Europe onto some of the late colonial, soon to be independent countries in Africa.

The seminar will be led by Dr Mihaela Brebenel, Lecturer in Digital Media Culture at the Winchester School of Art, University of Southampton. Mihaela is interested in screen studies, film theory, media archaeology, aesthetic theory, the politics of the audiovisual, feminist practices with moving images, the cultural production of subjectivity in contemporary technologically-mediated contexts, historiographies and critical uses of archival images in academic and artistic practice. She also reflects in her work on gender, performance and interventions exploring the private and public configurations of media, space, memory, and the possibilities of collective work.

We have arranged for the event to finish on time for colleagues who wish to attend the Advanced Research in Arts and Humanities seminar at 4pm, and the event is held in the same building.

Further details, including an abstract, can be found on the poster for the event.

Next Centre for Transnational Studies seminar: A transnational feminist perspective: Recognising difference, building solidarity

TNSThe Centre for Transnational Studies, in collaboration with the Centre for Imperial and Postcolonial Studies, is hosting its first event of the academic year on Wednesday 31st October from 3-4:30pm in room 1173 at Avenue Campus (Building 65). The seminar is entitled ‘A transnational feminist perspective: Recognising difference, building solidarity’. All staff and students are welcome!

The event is a postgraduate and early career masterclass run by Dr Maria Tomlinson, a postdoctoral research associate on the project ‘FemmepowermentNiger’ based in the Department of Journalism Studies, University of Sheffield. The idea with these masterclasses is for students (PGT and PGR) and interested staff to get an introduction to potential new ways of approaching their work, and for students to have a chance to talk to someone a few years further on in the postgrad and academic career journey. Dr Tomlinson was one of the first cohort of AHRC SWW DTP students, and completed her PhD in French between the Universities of Bristol and Reading earlier this year. She also set up one of the first SWW DTP research clusters on gender and sexuality.

Further details, including an abstract, can be found on the poster for the event.

Next TNS seminar: Transnational Religion: Textual Trails (Or how to domesticate the transnational)

TNSAnne O’Connor from NUI Galway will be speaking at the next Centre for Transnational Studies seminar, taking place on Wednesday 16th May 2018 from 5-6:30pm in Room 1177, Avenue Campus (Building 65). The seminar is entitled ‘Transnational Religion: Textual Trails (Or how to domesticate the transnational)’. All staff and students are welcome!

Here is the abstract for the seminar:
This talk will look at the transnationality of religion and how the spread of religion is supported by the printed word. It will use the example of global Catholicism and devotional reading to question how orthodoxies emanating from the Vatican reach the lives of Catholics in the Anglophone world. It will look at the intersection of translation, book history and religion to examine how each can work together and provide momentum for transnational influence. By focusing on the materiality of the transmitted words, the talk will discuss how popular printing allowed for the transnational to enter the domestic sphere.

Next TNS seminar in conjunction with the Department of Film: ‘Transnational Cinema: Milestones in a New(ish) Field of Study’

TNSDeborah Shaw from the University of Portsmouth will be speaking at the next Centre for Transnational Studies seminar, taking place on Wednesday 21st February 2018 from 5-6:30pm in Room 1177, Avenue Campus (Building 65). The seminar is entitled ‘Transnational Cinema: Milestones in a New(ish) Field of Study’ and will be delivered in conjunction with the Department of Film. All staff and students are welcome! Here is the abstract:

This paper aims to present an overview of some key developments in ways of conceptualising the transnational in film studies. It considers the reasons for the late adoption of the transnational in film studies in relation to the social sciences. 2005 sees the beginning of a transnational momentum in our discipline with the following years seeing a number of conceptual and theoretical essays and edited volumes and the founding of a journal, Transnational Cinemas in 2010. The paper outlines the key areas of focus in what I am identifying as the first phase of transnational cinema studies and considers question of scales of value that have been applied to the transnational. Following this, the paper discusses approaches to transnational film theory through an analysis of a selection of definitional essays. The final section of the paper presents an overview of what I am characterising as the second phase of transnational film studies, and considers the expanded reach of the transnational to the many areas that make up the discipline.